BARTÓK String Quartet No. 3 (arr. Konopka)
BARTÓK Suite from The Miraculous Mandarin

Music Director Franz Welser-Möst and the Orchestra thread two of Bartók’s demanding visions into a single, emotionally charged arc. Paired with favorites from Bartók’s ballet The Miraculous Mandarin, violist Sta...

STRAUSS 𝘔𝘦𝘵𝘢𝘮𝘰𝘳𝘱𝘩𝘰𝘴𝘦𝘯
MOZART Requiem, K. 626

In this digital production, Music Director Franz Welser-Möst discusses the importance and evolution of the Cleveland Sound under his 22-year tenure. Following an impassioned performance of Richard Strauss’s 𝘔𝘦𝘵𝘢𝘮𝘰𝘳𝘱𝘩𝘰𝘴𝘦𝘯, take a tour behind the scenes...

EASTMAN Symphony No. 2
MARSALIS Trumpet Concerto (World Premiere)
DVORAK Symphony No. 9 ("From the New World")

Music Director Franz Welser-Möst leads a celebration of African American music: the symphonic tribute to spirituals in Dvorak’s "New World" Symphony, Eastman’s minimalist Second Symphon...

MAHLER Symphony No. 2 (“Resurrection”)

In 2020, The Cleveland Orchestra received an extraordinary, unique gift: the full, handwritten score of Gustav Mahler’s Symphony No. 2. Composed for a massive orchestra, choir, and soloists, this meditation on humanity’s search for meaning in life and death...

KRENEK 𝘒𝘭𝘦𝘪𝘯𝘦 𝘚𝘺𝘮𝘱𝘩𝘰𝘯𝘪𝘦
MAHLER Adagio from Symphony No. 10

Franz Welser-Möst traverses worlds of wit and longing in this evocative program. Krenek’s sly and restless 𝘒𝘭𝘦𝘪𝘯𝘦 𝘚𝘺𝘮𝘱𝘩𝘰𝘯𝘪𝘦, a forgotten work born of the turbulent 1920s, is followed by the intimate, meditative Adagio from Mahler’s final...

MAHLER Selected Songs from 𝘋𝘦𝘴 𝘒𝘯𝘢𝘣𝘦𝘯 𝘞𝘶𝘯𝘥𝘦𝘳𝘩𝘰𝘳𝘯
MAHLER Selected Songs from 𝘓𝘪𝘦𝘥𝘦𝘳 𝘶𝘯𝘥 𝘎𝘦𝘴ä𝘯𝘨𝘦 𝘢𝘶𝘴 𝘥𝘦𝘳 𝘑𝘶𝘨𝘦𝘯𝘥𝘻𝘦𝘪𝘵
MAHLER Symphony No. 7

Baritone Simon Keenlyside, a peerless interpreter of art song, performs selections from Mahler’s 𝘋𝘦𝘴 𝘒𝘯𝘢𝘣𝘦𝘯 𝘞𝘶𝘯𝘥𝘦𝘳𝘩𝘰𝘳𝘯 and 𝘓𝘪𝘦𝘥𝘦𝘳 𝘶𝘯𝘥 𝘎𝘦𝘴ä𝘯𝘨𝘦 𝘢𝘶𝘴 𝘥𝘦𝘳 𝘑𝘶𝘨𝘦𝘯𝘥𝘻𝘦𝘪𝘵...

MOZART Piano Concerto No. 27

Pianist Garrick Ohlsson brings his elegant artistry to Mozart’s intimate and lyrical Piano Concerto No. 27, the composer’s final work in the genre. Ohlsson reminisces about growing up in a “transplanted European culture” just outside New York City, and, at age 9, att...

MOZART Symphony No. 29
TCHAIKOVSKY Symphony No. 2

Tchaikovsky considered Ukraine a second home and refuge, and he began work on his Second Symphony while staying just outside of Kyiv. One of his most joyful compositions, this symphony ingeniously incorporates Ukrainian folk songs. Equally lively...

BRUCKNER Symphony No. 4

Both conductor Franz Welser-Möst and composer Anton Bruckner began their creative journeys in Upper Austria, where rolling hills, deep-rooted Catholic faith, and the resilient spirit of its people provided the fertile ground for their artistic evolutions. Those kindred sp...

STAUD 𝘞𝘩𝘦𝘳𝘦𝘢𝘴 𝘵𝘩𝘦 𝘳𝘦𝘢𝘭𝘪𝘵𝘺 𝘵𝘳𝘦𝘮𝘣𝘭𝘦𝘴 (World Premiere)

A Cleveland Orchestra commission, Johannes Maria Staud’s percussion concerto was crafted with virtuoso percussionist Christoph Sietzen’s electric artistry in mind. Music Director Franz Welser-Möst offers a window into this symbiotic collaborati...

PROKOFIEV Symphony No. 6 in E-flat minor

A chilling meditation on World War II from behind the Iron Curtain, Prokofiev’s Sixth Symphony radiates dark undertones even in its most sprightly moments. Music Director Franz Welser-Möst reflects on the ephemerality of live performance and the outsized ...

RAVEL Piano Concerto in G major

The so-called “Roaring Twenties” unfurled as an explosion of ideas that reshaped cultural and political landscapes, artistic expression, and scientific frontiers. Music Director Franz Welser-Möst discusses Ravel’s Piano Concerto in G major as a seminal work that c...

FARRENC Symphony No. 3
MUSSORGSKY 𝘗𝘪𝘤𝘵𝘶𝘳𝘦𝘴 𝘢𝘵 𝘢𝘯 𝘌𝘹𝘩𝘪𝘣𝘪𝘵𝘪𝘰𝘯 (orch. Ravel)

Join Music Director Franz Welser-Möst and the Orchestra in a journey of discovery featuring a long-neglected piece by Louise Farrenc and Welser-Möst’s very first time conducting a familiar favorite — Ravel’s orchestration ...

LOGGINS-HULL Can you see? (World Premiere)
BARBER Cello Concerto

A Cleveland Orchestra commission by Allison Loggins-Hull and Alisa Weilerstein’s rendition of Barber’s technically demanding yet infinitely rewarding Cello Concerto take center stage in this captivating program, conducted by Music ...

STRAUSS 𝘌𝘪𝘯 𝘏𝘦𝘭𝘥𝘦𝘯𝘭𝘦𝘣𝘦𝘯 (A Hero’s Life)

Franz Welser-Möst believes in approaching music with “open ears,” especially in a piece as rich with extra-musical context as Strauss’s very personal 𝘌𝘪𝘯 𝘏𝘦𝘭𝘥𝘦𝘯𝘭𝘦𝘣𝘦𝘯. Welser-Möst shares the work’s connection to the composer’s life and his own classical app...

MOZART Divertimento No. 2
SCHOENBERG Variations for Orchestra

At home in Austria, Franz Welser-Möst takes a walk through Vienna, a city steeped in centuries of music history as the home of many famous composers — including Mozart and Schoenberg — and the storied Musikverein. Best remembered for ...

MOZART Symphony No. 36 (“Linz”)

Written on a trip from Vienna to Salzburg, Mozart’s “Linz” Symphony was named for Franz Welser-Möst’s Austrian hometown. The Music Director recalls the cultural flowering he witnessed there as a student and reminisces about his earliest days as an aspiring conduct...

WALTON Violin Concerto

First Associate Concertmaster Peter Otto shares his interpretation of Walton’s Violin Concerto — 83 years after its world premiere with The Cleveland Orchestra. Otto discusses the piece and its lineage, as well as his own sense of musical community.

ADÈS 𝘛𝘩𝘦 𝘌𝘹𝘵𝘦𝘳𝘮𝘪𝘯𝘢𝘵𝘪𝘯𝘨 𝘈𝘯𝘨𝘦𝘭 Symphony
SIBELIUS Symphony No. 5 in E-flat major, Op. 82

Music Director Franz Welser-Möst leads The Cleveland Orchestra in a program of works by fiercely individualistic composers Thomas Adès and Jean Sibelius. Adès describes his surreal childhood influences and Wels...

WALKER 𝘓𝘪𝘭𝘢𝘤𝘴 for voice and orchestra
STRAUSS Suite from 𝘋𝘦𝘳 𝘙𝘰𝘴𝘦𝘯𝘬𝘢𝘷𝘢𝘭𝘪𝘦𝘳 (compiled by Welser-Möst)

In a program showcasing the breadth and variety of 20th century music, Franz Welser-Möst leads The Cleveland Orchestra and soprano Latonia Moore in their first performance of George Walker’s 𝘓𝘪𝘭𝘢...

DEUTSCH 𝘐𝘯𝘵𝘦𝘯𝘴𝘪𝘵𝘺 (World Premiere)
DVOŘÁK Symphony No. 8 in G Major, Op. 88

How does a composer envision a brand new piece of music after composing many? How can a conductor make a familiar piece feel new again? Franz Welser-Möst pairs the world premiere of Bernd Richard Deutsch’s 𝘐𝘯𝘵𝘦𝘯𝘴𝘪𝘵𝘺 with...

ABRAHAMSEN 𝘝𝘦𝘳𝘴 𝘭𝘦 𝘴𝘪𝘭𝘦𝘯𝘤𝘦 (World Premiere)
BRAHMS Piano Concerto No. 2

Emerging from a collective period of isolation and reflection, Franz Welser-Möst, pianist Igor Levit, Principal Horn Nathaniel Silberschlag, and composer Hans Abrahamsen discuss the evocative power of silence and the recipro...