Adella Premium Content

Subscribe Share
  • Mozart's Jupiter Symphony

    Franz Welser-Möst and The Cleveland Orchestra conjure up the mighty thunderbolts of Mozart’s final symphony, nicknamed the “Jupiter,” in which his symphonic writing reached a pinnacle of precision in a finale of extraordinary ingenuity. Shostakovich’s Symphony No. 11 provides a profound contrast,...

Extras

  • Hannigan’s Musical Community

    HAYDN Symphony No. 44
    VIVIER 𝘓𝘰𝘯𝘦𝘭𝘺 𝘊𝘩𝘪𝘭𝘥
    LIGETI 𝘓𝘰𝘯𝘵𝘢𝘯𝘰
    STRAUSS 𝘋𝘦𝘢𝘵𝘩 𝘢𝘯𝘥 𝘛𝘳𝘢𝘯𝘴𝘧𝘪𝘨𝘶𝘳𝘢𝘵𝘪𝘰𝘯

    Moving listeners through memory, love, loneliness, triumph, and surrender, Barbara Hannigan leads the Orchestra in a program of Haydn, Vivier, Ligeti, and Strauss. She discusses the role music played in he...

  • Replay - Dvořák’s New World Symphony

    Acclaimed conductor Dalia Stasevska returns to Severance for two evocative musical depictions of the American continent. Informed by African American spirituals, Indigenous melodies, and Czech folk songs, Dvořák’s Ninth Symphony proceeds from one memorable tune to another, including its exquisite...

  • Glover in London

    BRITTEN 𝘚𝘶𝘪𝘵𝘦 𝘰𝘯 𝘌𝘯𝘨𝘭𝘪𝘴𝘩 𝘍𝘰𝘭𝘬 𝘛𝘶𝘯𝘦𝘴
    VAUGHAN WILLIAMS 𝘍𝘢𝘯𝘵𝘢𝘴𝘪𝘢 𝘰𝘯 𝘢 𝘛𝘩𝘦𝘮𝘦 𝘣𝘺 𝘛𝘩𝘰𝘮𝘢𝘴 𝘛𝘢𝘭𝘭𝘪𝘴
    MOZART Piano Concerto No. 22

    Two towering artistic figures — Dame Jane Glover and pianist Imogen Cooper — reunite in Cleveland to perform Mozart’s Piano Concerto No. 22, paired with quintessentially English...

  • Hidden Structures

    DEUTSCH 𝘐𝘯𝘵𝘦𝘯𝘴𝘪𝘵𝘺 (World Premiere)
    DVOŘÁK Symphony No. 8 in G Major, Op. 88

    How does a composer envision a brand new piece of music after composing many? How can a conductor make a familiar piece feel new again? Franz Welser-Möst pairs the world premiere of Bernd Richard Deutsch’s 𝘐𝘯𝘵𝘦𝘯𝘴𝘪𝘵𝘺 with...

  • Towards Silence

    ABRAHAMSEN 𝘝𝘦𝘳𝘴 𝘭𝘦 𝘴𝘪𝘭𝘦𝘯𝘤𝘦 (World Premiere)
    BRAHMS Piano Concerto No. 2

    Emerging from a collective period of isolation and reflection, Franz Welser-Möst, pianist Igor Levit, Principal Horn Nathaniel Silberschlag, and composer Hans Abrahamsen discuss the evocative power of silence and the recipro...

  • Víkingur Ólafsson in the Jazz Age

    RAVEL Piano Concerto in G major

    The so-called “Roaring Twenties” unfurled as an explosion of ideas that reshaped cultural and political landscapes, artistic expression, and scientific frontiers. Music Director Franz Welser-Möst discusses Ravel’s Piano Concerto in G major as a seminal work that c...

  • Reframing Mussorgsky

    FARRENC Symphony No. 3
    MUSSORGSKY 𝘗𝘪𝘤𝘵𝘶𝘳𝘦𝘴 𝘢𝘵 𝘢𝘯 𝘌𝘹𝘩𝘪𝘣𝘪𝘵𝘪𝘰𝘯 (orch. Ravel)

    Join Music Director Franz Welser-Möst and the Orchestra in a journey of discovery featuring a long-neglected piece by Louise Farrenc and Welser-Möst’s very first time conducting a familiar favorite — Ravel’s orchestration ...

  • Their Austrian Roots

    BRUCKNER Symphony No. 4

    Both conductor Franz Welser-Möst and composer Anton Bruckner began their creative journeys in Upper Austria, where rolling hills, deep-rooted Catholic faith, and the resilient spirit of its people provided the fertile ground for their artistic evolutions. Those kindred sp...

  • Her America

    LOGGINS-HULL Can you see? (World Premiere)
    BARBER Cello Concerto

    A Cleveland Orchestra commission by Allison Loggins-Hull and Alisa Weilerstein’s rendition of Barber’s technically demanding yet infinitely rewarding Cello Concerto take center stage in this captivating program, conducted by Music ...

  • Harding Dissects Mahler's Manuscript

    MAHLER Symphony No. 4

    Guest conductor Daniel Harding contemplates the distinct beauty of Mahler’s Fourth Symphony and his profound connection to the composer’s work, as well as the privilege of performing such timeless masterpieces. Before the performance, Harding strolls to the Cleveland Museum...

  • Singer and Storyteller Simon Keenlyside

    MAHLER Selected Songs from 𝘋𝘦𝘴 𝘒𝘯𝘢𝘣𝘦𝘯 𝘞𝘶𝘯𝘥𝘦𝘳𝘩𝘰𝘳𝘯
    MAHLER Selected Songs from 𝘓𝘪𝘦𝘥𝘦𝘳 𝘶𝘯𝘥 𝘎𝘦𝘴ä𝘯𝘨𝘦 𝘢𝘶𝘴 𝘥𝘦𝘳 𝘑𝘶𝘨𝘦𝘯𝘥𝘻𝘦𝘪𝘵
    MAHLER Symphony No. 7

    Baritone Simon Keenlyside, a peerless interpreter of art song, performs selections from Mahler’s 𝘋𝘦𝘴 𝘒𝘯𝘢𝘣𝘦𝘯 𝘞𝘶𝘯𝘥𝘦𝘳𝘩𝘰𝘳𝘯 and 𝘓𝘪𝘦𝘥𝘦𝘳 𝘶𝘯𝘥 𝘎𝘦𝘴ä𝘯𝘨𝘦 𝘢𝘶𝘴 𝘥𝘦𝘳 𝘑𝘶𝘨𝘦𝘯𝘥𝘻𝘦𝘪𝘵...

  • From Franz’s Early Influences

    MOZART Symphony No. 29
    TCHAIKOVSKY Symphony No. 2

    Tchaikovsky considered Ukraine a second home and refuge, and he began work on his Second Symphony while staying just outside of Kyiv. One of his most joyful compositions, this symphony ingeniously incorporates Ukrainian folk songs. Equally lively...

  • Sietzen’s Percussive Play

    STAUD 𝘞𝘩𝘦𝘳𝘦𝘢𝘴 𝘵𝘩𝘦 𝘳𝘦𝘢𝘭𝘪𝘵𝘺 𝘵𝘳𝘦𝘮𝘣𝘭𝘦𝘴 (World Premiere)

    A Cleveland Orchestra commission, Johannes Maria Staud’s percussion concerto was crafted with virtuoso percussionist Christoph Sietzen’s electric artistry in mind. Music Director Franz Welser-Möst offers a window into this symbiotic collaborati...

  • John Adams’s America

    SMITH 𝘛𝘶𝘮𝘣𝘭𝘦𝘣𝘪𝘳𝘥 𝘊𝘰𝘯𝘵𝘳𝘢𝘪𝘭𝘴
    ADAMS 𝘔𝘶𝘴𝘵 𝘵𝘩𝘦 𝘋𝘦𝘷𝘪𝘭 𝘏𝘢𝘷𝘦 𝘈𝘭𝘭 𝘵𝘩𝘦 𝘎𝘰𝘰𝘥 𝘛𝘶𝘯𝘦𝘴?
    SIMON 𝘍𝘢𝘵𝘦 𝘕𝘰𝘸 𝘊𝘰𝘯𝘲𝘶𝘦𝘳𝘴
    GLASS Façades from 𝘎𝘭𝘢𝘴𝘴𝘸𝘰𝘳𝘬𝘴
    REICH Three Movements for Orchestra

    Composer-conductor John Adams curates and conducts a program of living American composers — from minimalist icons Steve Reich and Phi...

  • Political Prokofiev

    PROKOFIEV Symphony No. 6 in E-flat minor

    A chilling meditation on World War II from behind the Iron Curtain, Prokofiev’s Sixth Symphony radiates dark undertones even in its most sprightly moments. Music Director Franz Welser-Möst reflects on the ephemerality of live performance and the outsized ...

  • Leading by Example

    STRAUSS 𝘌𝘪𝘯 𝘏𝘦𝘭𝘥𝘦𝘯𝘭𝘦𝘣𝘦𝘯 (A Hero’s Life)

    Franz Welser-Möst believes in approaching music with “open ears,” especially in a piece as rich with extra-musical context as Strauss’s very personal 𝘌𝘪𝘯 𝘏𝘦𝘭𝘥𝘦𝘯𝘭𝘦𝘣𝘦𝘯. Welser-Möst shares the work’s connection to the composer’s life and his own classical app...

  • Franz in Vienna

    MOZART Divertimento No. 2
    SCHOENBERG Variations for Orchestra

    At home in Austria, Franz Welser-Möst takes a walk through Vienna, a city steeped in centuries of music history as the home of many famous composers — including Mozart and Schoenberg — and the storied Musikverein. Best remembered for ...

  • The Linz Connection

    MOZART Symphony No. 36 (“Linz”)

    Written on a trip from Vienna to Salzburg, Mozart’s “Linz” Symphony was named for Franz Welser-Möst’s Austrian hometown. The Music Director recalls the cultural flowering he witnessed there as a student and reminisces about his earliest days as an aspiring conduct...

  • Alan Gilbert’s Colorful Soundscape

    DEBUSSY 𝘓𝘢 𝘮𝘦𝘳 (The Sea)
    CHIN 𝘙𝘰𝘤𝘢𝘯𝘢́ for Orchestra
    BOULANGER 𝘋’𝘶𝘯 𝘮𝘢𝘵𝘪𝘯 𝘥𝘦 𝘱𝘳𝘪𝘯𝘵𝘦𝘮𝘱𝘴 (On a Spring Morning)

    Light, shade, and color play an integral role in this luminously French program of Boulanger, Debussy, and Korean composer Unsuk Chin. Conductor Alan Gilbert reminisces about his days as a...

  • Peter Otto Brings it Home

    WALTON Violin Concerto

    First Associate Concertmaster Peter Otto shares his interpretation of Walton’s Violin Concerto — 83 years after its world premiere with The Cleveland Orchestra. Otto discusses the piece and its lineage, as well as his own sense of musical community.

  • On the Road with Klaus Mäkelä

    SIBELIUS Violin Concerto in D Minor
    SHOSTAKOVICH Symphony No. 10

    En route to their first collaboration — an electric reading of Jean Sibelius’ Violin Concerto — conductor Klaus Mäkelä and violinist Nikolaj Szeps-Znaider discuss the rewarding and hectic realities of life as a touring performer. B...

  • Artistic Voices

    ADÈS 𝘛𝘩𝘦 𝘌𝘹𝘵𝘦𝘳𝘮𝘪𝘯𝘢𝘵𝘪𝘯𝘨 𝘈𝘯𝘨𝘦𝘭 Symphony
    SIBELIUS Symphony No. 5 in E-flat major, Op. 82

    Music Director Franz Welser-Möst leads The Cleveland Orchestra in a program of works by fiercely individualistic composers Thomas Adès and Jean Sibelius. Adès describes his surreal childhood influences and Wels...

  • George Walker: Lifting the Veil

    WALKER 𝘓𝘪𝘭𝘢𝘤𝘴 for voice and orchestra
    STRAUSS Suite from 𝘋𝘦𝘳 𝘙𝘰𝘴𝘦𝘯𝘬𝘢𝘷𝘢𝘭𝘪𝘦𝘳 (compiled by Welser-Möst)

    In a program showcasing the breadth and variety of 20th century music, Franz Welser-Möst leads The Cleveland Orchestra and soprano Latonia Moore in their first performance of George Walker’s 𝘓𝘪𝘭𝘢...

  • Jane Glover: From a Blank Slate

    MOZART Symphony No. 38 (“Prague”) in D Major

    Dame Jane Glover revels in the “wonderful exuberance and nonchalant brilliance” of Mozart’s “Prague” symphony. She describes the freedom of conducting from memory, the relationship between composer and conductor, and her own deep connection with Mozart.