Living Voices

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  • Adès’s Tempestuous Debut

    SIBELIUS Prelude and Suite No. 1 (from The Tempest)
    SIBELIUS Six Humoresques
    ADÈS Märchentänze
    ADÈS Five Spells (from The Tempest)

    Composer-conductor Thomas Adès’s Cleveland Orchestra conducting debut features two musical interpretations of Shakespeare’s The Tempest — one by Sibelius, and the ot...

  • Marsalis’s New World

    EASTMAN Symphony No. 2
    MARSALIS Trumpet Concerto (World Premiere)
    DVORAK Symphony No. 9 ("From the New World")

    Music Director Franz Welser-Möst leads a celebration of African American music: the symphonic tribute to spirituals in Dvorak’s "New World" Symphony, Eastman’s minimalist Second Symphon...

  • A Postmodern Christmas

    ADAMS 𝘌𝘭 𝘕𝘪𝘯𝘰

    Hailed as “intelligent, emotional and sometimes magical” by the BBC, John Adams’s El Nino imagines a modern-day miracle, retelling the story of Handel’s Messiah through a constellation of references ranging from medieval chant to contemporary Latin American poetry. In conversation,...

  • Dual Existence: Salonen as Composer Conductor

    RAVEL Le Tombeau de Couperin
    SALONEN Cello Concerto
    SIBELIUS Symphony No. 5

    Salonen leads a shimmering performance of Ravel’s exquisitely French Le Tombeau de Couperin; his own demanding and evocative Cello Concerto, brought to life by Senja Rummukainen; and Sibelius’s Symphony No. 5, a visionar...

  • Hannigan’s Musical Community

    HAYDN Symphony No. 44
    VIVIER 𝘓𝘰𝘯𝘦𝘭𝘺 𝘊𝘩𝘪𝘭𝘥
    LIGETI 𝘓𝘰𝘯𝘵𝘢𝘯𝘰
    STRAUSS 𝘋𝘦𝘢𝘵𝘩 𝘢𝘯𝘥 𝘛𝘳𝘢𝘯𝘴𝘧𝘪𝘨𝘶𝘳𝘢𝘵𝘪𝘰𝘯

    Moving listeners through memory, love, loneliness, triumph, and surrender, Barbara Hannigan leads the Orchestra in a program of Haydn, Vivier, Ligeti, and Strauss. She discusses the role music played in he...

  • Sietzen’s Percussive Play

    STAUD 𝘞𝘩𝘦𝘳𝘦𝘢𝘴 𝘵𝘩𝘦 𝘳𝘦𝘢𝘭𝘪𝘵𝘺 𝘵𝘳𝘦𝘮𝘣𝘭𝘦𝘴 (World Premiere)

    A Cleveland Orchestra commission, Johannes Maria Staud’s percussion concerto was crafted with virtuoso percussionist Christoph Sietzen’s electric artistry in mind. Music Director Franz Welser-Möst offers a window into this symbiotic collaborati...

  • Her America

    LOGGINS-HULL Can you see? (World Premiere)
    BARBER Cello Concerto

    A Cleveland Orchestra commission by Allison Loggins-Hull and Alisa Weilerstein’s rendition of Barber’s technically demanding yet infinitely rewarding Cello Concerto take center stage in this captivating program, conducted by Music ...

  • Alan Gilbert’s Colorful Soundscape

    DEBUSSY 𝘓𝘢 𝘮𝘦𝘳 (The Sea)
    CHIN 𝘙𝘰𝘤𝘢𝘯𝘢́ for Orchestra
    BOULANGER 𝘋’𝘶𝘯 𝘮𝘢𝘵𝘪𝘯 𝘥𝘦 𝘱𝘳𝘪𝘯𝘵𝘦𝘮𝘱𝘴 (On a Spring Morning)

    Light, shade, and color play an integral role in this luminously French program of Boulanger, Debussy, and Korean composer Unsuk Chin. Conductor Alan Gilbert reminisces about his days as a...

  • Artistic Voices

    ADÈS 𝘛𝘩𝘦 𝘌𝘹𝘵𝘦𝘳𝘮𝘪𝘯𝘢𝘵𝘪𝘯𝘨 𝘈𝘯𝘨𝘦𝘭 Symphony
    SIBELIUS Symphony No. 5 in E-flat major, Op. 82

    Music Director Franz Welser-Möst leads The Cleveland Orchestra in a program of works by fiercely individualistic composers Thomas Adès and Jean Sibelius. Adès describes his surreal childhood influences and Wels...

  • John Adams’s America

    SMITH 𝘛𝘶𝘮𝘣𝘭𝘦𝘣𝘪𝘳𝘥 𝘊𝘰𝘯𝘵𝘳𝘢𝘪𝘭𝘴
    ADAMS 𝘔𝘶𝘴𝘵 𝘵𝘩𝘦 𝘋𝘦𝘷𝘪𝘭 𝘏𝘢𝘷𝘦 𝘈𝘭𝘭 𝘵𝘩𝘦 𝘎𝘰𝘰𝘥 𝘛𝘶𝘯𝘦𝘴?
    SIMON 𝘍𝘢𝘵𝘦 𝘕𝘰𝘸 𝘊𝘰𝘯𝘲𝘶𝘦𝘳𝘴
    GLASS Façades from 𝘎𝘭𝘢𝘴𝘴𝘸𝘰𝘳𝘬𝘴
    REICH Three Movements for Orchestra

    Composer-conductor John Adams curates and conducts a program of living American composers — from minimalist icons Steve Reich and Phi...

  • Hidden Structures

    DEUTSCH 𝘐𝘯𝘵𝘦𝘯𝘴𝘪𝘵𝘺 (World Premiere)
    DVOŘÁK Symphony No. 8 in G Major, Op. 88

    How does a composer envision a brand new piece of music after composing many? How can a conductor make a familiar piece feel new again? Franz Welser-Möst pairs the world premiere of Bernd Richard Deutsch’s 𝘐𝘯𝘵𝘦𝘯𝘴𝘪𝘵𝘺 with...

  • Towards Silence

    ABRAHAMSEN 𝘝𝘦𝘳𝘴 𝘭𝘦 𝘴𝘪𝘭𝘦𝘯𝘤𝘦 (World Premiere)
    BRAHMS Piano Concerto No. 2

    Emerging from a collective period of isolation and reflection, Franz Welser-Möst, pianist Igor Levit, Principal Horn Nathaniel Silberschlag, and composer Hans Abrahamsen discuss the evocative power of silence and the recipro...